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March 08, 2016

Learning to Read (And Remember What You Have Read) - Seven Foolproof Strategies


Of course, you already know how to read, no matter what your preferred reading material is. If you remember what you read this semester when you take your final exams, in two or three years' time, is, however, an entirely different matter. 


Most of the courses you attend at university will conclude with an exam in which we will NOT ask you to reproduce knowledge learned by heart, but to SOLVE PROBLEMS – a skill you will need to practice.

 

An important prerequisite is to read the primary texts before the course meeting in which they are discussed and remember to bring them to class. This sounds simple, but is not always easy to keep up under the pressure generated by a tight schedule, a student job, exams, bureaucracy, and other obligations you may have.


I recommend to start reading the longer primary texts in the lecture-free time preceding the class. A frequent objection raised by my students is: "But if I read this 300-page-book during the summer, I will have forgotten all about it when we start discussing it in December!"

A good memory for details is not genetic or a matter of talent. The following strategies will help you remember more easily what you have just read.


Seven Foolproof Strategies
  • Buy a good edition. It is tempting to download a file of a classical novel, say, Mary Shelley's Frankenstein, on your e-reader, phone, or tablet for free when a critical edition by a good publisher is almost twenty euros. When you want to work with the text intensely, however, it may be well worth the investment.

  • Start early and create a calm atmosphere for reading. Studies show that a relaxed environment helps long-term understanding. If you read the books that will be discussed in your seminar under pressure, on the train to the next course meeting or while grabbing a quick bite at the cafeteria, you will remember less of the text
  • Take notes. Reading alone is just a superficial way of processing information. Take notes on the plot while you are reading, write down anything that strikes you as interesting or unusual. This will help you remember your reading experience and your first impressions when talking about the text in class. If you are a visual type, you may want to use markers or post-its in different colours, however, do not replace notes with post-its – studies show that copying a quotation to your notes is more efficient as a learning strategy than highlighting the same quote with a marker..
  • Watch plays. If you have a chance to go and see a play you have read in class, do so by all means. This way, the content of the play can enter your brain by different channels, which will help you remember. Be careful, though, not to substitute your reading of the play with streaming the film. Every staging is an interpretation in itself, leaving out some elements, adding others.
  • Read poems aloud – or find a recording by a professional actor or actress. Rhythm and sound are extremely important for understanding poetry.
  • Participate in course discussion. Share your thoughts. Ask questions. Reflecting, rephrasing and looking at the text from different angles will help your brain form the connections you need for the knowledge to sink in. Remember: There are no "right" or "wrong" interpretations. Do not be too shy to speak. In a literature class, no one will criticize you for your accent or a colloquial expression you might use in course discussion. Start with a resolution to speak at least once per course meeting.

  • Keep reading! Even if the book your course convenors enthuses about is not your cup of tea, chalk it off as a new experience. Maybe you will find yourself reading the same text with different eyes in ten years' time. Reading experiences change with time. The more you read, the more a text that seemed cryptic once will make sense.
  • BACK TO TEACHING - MAIN

NEXT:

Free E-Book or Expensive Critical Edition - Why You Should Even Bother


    It is tempting to download a file of a classical novel, say, Mary Shelley's Frankenstein, on your e-reader, phone, or tablet for free when a critical edition by a good publisher is almost twenty euros. An e-text is searchable, easy to access. When you want to work with the text intensely, however, an annotated edition with an authoritative text may be well worth the investment. This article will tell you how to get the best of both worlds.

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March 08, 2016

This Semester's Courses: Textual Analysis, Gothic Fiction, English and American Literature 101 (=Grundseminar Literaturwissenschaft)


Course descriptions and some basics for my seminars this semester.


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